When the mainstream media refer to how good British talent did at prestigious award ceremonies they often use the term: “British Film Industry” however that what they are making reference to is “industry”, and certainly not “British Film”. At next month’s BAFTA awards, the American film Gravity is competing within the category of “Outstanding British Film” and so herein lies among the many problems in the British psyche and definitely within institutions like the BBC that have never understood just what a national cinema means.
I cannot pretend to understand all the techniques to what constitutes the nationality of any film, but instinctively I know that Gravity is not a British film. When we spout numbers about how many films get made in the united kingdom, the number of awards our talents receive, the amount of jobs are produced through UK film production and just how much revenue is generated in to the economy from such productions; none of these figures highlight ‘the elephant within the room’ which is that culturally perform not tell stories that reflect our lifestyle. Films such as the Full Monty become iconic because films having a uniquely British perspective rarely get made or seen. Actually the sole reasons why The Complete Monty became offered to a paying marketplace is because a foreigner committed to it while hailed British institutions such as the BBC and Channel Four turned their backs into it.
How many films do you notice that reflect our experiences of being British and living on these shores? The number of films can you see that truly reflect our work places, schools, universities, and personalities. I don’t just mean Ray Winstone! There exists a rainbow variety of personality and culture in the uk that features a representation within the cinema of next to nil. Forget elitist productions that serve Hollywood’s appetite for that monarchy or English literature; how about our appetite? If you feel that people do not wish to see such British films, then Make sure you look into the takings of The Full Monty and remind yourself who profited!
Not since the times of Prime Minister Harold Wilson have we had an elected representative put a cost (Eady Levy) on foreigners the ability to access our paying audience in order to profile. Ridley Scott, David Puttnam, Alan Parker and many others all benefited and grew from this support system. Trust me, we require not only an Eady Levy to start out any national cinema. The South Korean’s, french, as well as the Australians have got all taken key decisions from Government to safe guard their unique cultures. We, on the contrary have just left it to the Americans which obviously is not very British.
Until we recognize the requirement for a complete shift of consciousness the word “British Film” will forever be considered a contradiction, just because a film can never be deemed one nationality when it is owned and distributed by another where all the key decisions are foreign. This will not constitute a national language of cinema, it precipitates whatever we have today: British talent and rxkfcr for export.
Hollywood comprises a tiny area of the Indian Cinema. It refers back to the Mumbai-based hindi-language film industry which is the most popular in India. The name ‘Hollywood’ originates from both words ‘Bombay’ (the former good name for Mumbai) and ‘Hollywood’ (the center for your American Film industry).
Though the vast majority of Hollywood movies is incorporated in the language Hindi, use of Urdu and English words is extremely common. The first Hollywood movie Raja Harishchandra was released in 1913. Raja harishchandra was actually a silent movie in monochrome. As well as the first Indian audible movie was Alam Ara released in 1931.
The price of Hollywood movies is in million dollars, around 10 million dollars. Hollywood movies are liked and watched by people all across the globe. It is actually most popular in south-asian countries like Nepal, Bangladesh, Sri Lanka and Pakistan. Many Pakistanis enjoy Hollywood movies but possess some limitations legally. The Indians in South Africa, Nigeria and Morocco form an enormous audience for such Hindi movies.